Right, so there is a combination of yuri and kiri, sway and cut. Sae-ku-ryo, yuri. Sae-ku-ryo, yuri. Sae-ku-ryo, yuri. Cut like this. Right, kiri. I am writing this sae-ku-ryo, but you all know this book. Yuri is...

[01:01]

Look at this sae-ku-ryo. The sae-ku-ryo of the yoro is like this. Like this. This is yuri. Here is yuri. Write one here. So this is one time yuri. What is yuri? One time yuri. So this is like this. Write two here. This is one, two. This is kiri. You will see this a lot later. This is yuri. This is yuri.

[02:04]

This is one time yuri. This is yuri. This is two times yuri. This is kiri. You will see this a lot later. You can see such signs in the left-hand side of the Chinese characters. One or two. Sugu or straight or sway or yuri are the most basic. Let's do this together with humming.

[03:06]

This u is the end of timing. Here. U! Airi U U Airi U Namo Buddha Shakyamuni Namo Buddha Shakyamuni Namo Buddha Shakyamuni

[04:34]

Namo Buddha Shakyamuni [...] That which is going is good. Good. Good to learn. Good. Right. Oru

[06:01]

Oru means great, but the explanation is literally great and this hand. Oru Iru Oru To-na-ku-shu-yo-ru

[07:13]

Oru Which hand is easy to understand? This hand is easy to understand. Oru Oru This is surururururururururururururururururururururururururu Oru Oru In this case, it is oru. Oru This oru is yuji oru. After all, it is oru. But this Bigger than this oru. Bigger. This is small oru. Bigger. Yes. Right. To-na-ku-shu Oru is same. Oru is same.

[08:19]

Oru is same. Yes. Shu-kyo Yes. Let's start from here. Ki-shi-yu Go-gan Shu-kyo Oru Yes. This is shu-kyo. This is Takai. This is Takai. Takai. This is Takai.

[09:29]

One more time. Ki-shi-yu Go-gan Shu-kyo Oru Yes. Next is u-na-ku-shu. Next is Riki-ho. Riki-ho is also to-na-ku-shu. Riki-kyu. This is to-na-ku-shu. Riki-kyu. Riki-kyu. Next is This is to-na-ku-shu. This is to-na-ku-shu. Riki-kyu. This is to-na-ku-shu. Riki-kyu.

[10:32]

Yes. Ki-shi-yu Go-gan Shu-kyo Oru Yes. Next is Riki-e-to Riki-e-to. This is to-na-ku-shu. Riki-e-to. This is to-na-ku-shu. Go-gan

[11:36]

Shu-kyo Shu-kyo Go-gan Shu-kyo Shu-kyo Go-gan Shu-kyo [...] Go-gan Shu-kyo

[12:41]

Shu-kyo Go-gan Shu-kyo [...] Riki-e-to Go-gan Go-gan Shu-kyo

[13:44]

Shu-kyo [...] Go-gan Shu-kyo [...] Go-gan Go-gan

[14:46]

Fumiage Fumiage is step and spin. Hiromawashi is something like colorful spin. Colorful spin. The word is upside down. The word is upside down. Let's do it. Ga-ho-ha Ha-ha-ha [...] Shu-kyo Shu-kyo

[15:52]

Shu-kyo One more time. Let's do it. Riki-e-to Go-gan Ga-ho-ha Ha-ha-ha [...]

[16:54]

Ga-ho-ha Let's do it. Riki-e-to Go-gan Ga-ho-ha Ha-ha-ha [...] Ga-ho-ha Shu-kyo Let's continue.

[17:58]

Let's do it with me two or three times. Let's do it together. Let's do it together. Sai-ku-kyo Shu-kyo Riki-e-to Go-gan Shu-kyo Shu-kyo

[19:06]

Riki-e-to Go-gan Shu-kyo Riki-e-to Su-kyo Ga-ho-ha Ha-ha-ha

[20:07]

Ha-ha-ha [...] Ga-ho-ha Shu-kyo

[21:11]

Ha-ha-ha Oṅgahaṅgala Aṅgala Aṅgala Aṅgala Oṅgahaṅgala Aṅgala Aṅgala

[22:41]

Aṅgala Oṅgala Oṅgala Aṅgala Oṅgala

[24:08]

Aṅgala Oṅgala Oṅgala Oṅgala Aṅgala Aṅgala

[25:15]

Oṅgala [...] Aṅgala [...]

[26:52]

Aṅgala [...] Oṅgala Oṅgala

[28:03]

Oṅgala [...]

[29:30]

Oṅgala [...]

[30:32]

Oṅgala [...]

[31:38]

Oṅgala [...]

[32:50]

Oṅgala [...]

[34:21]

Oṅgala [...]

[35:52]

Oṅgala [...]

[37:25]

Oṅgala [...]

[38:58]

Oṅgala [...]

[40:05]

Oṅgala [...]

[41:12]

Oṅgala [...]

[42:28]

Oṅgala Nyorai eka [...]

[43:44]

Nyorai eka [...] Nyorai Nyorai

[44:49]

Nyorai [...]

[46:15]

Nyorai Nyorai Oṅgala [...]

[47:43]

Oṅgala [...]

[48:48]

Oṅgala [...]

[50:14]

Oṅgala [...]

[51:21]

Oṅgala [...]

[52:40]

Oṅgala [...]

[54:02]

Oṅgala [...]

[56:00]

Shōmyō Where is this? Kūyō It's written here Everyone, please take a look at this This is the first time This is a little long It's long Kūyō Kyō Tarani Saijū Kyō Na I Jō Uji

[57:03]

U San Po Po U Rā I Sa I San Po Po Ka Po [...] Na Ki Ki Sha Ka

[58:09]

Wa Pa Wa Pa Pa Pa Ni Na Ka No Jō Jō I I Sa Wa Wa Wa

[59:17]

Wa [...] I Jō E E Ku Kūyō Kū Ngen San Po Chi Ta Wa [...] Po Jō

[60:19]

U Jō U Po Da Ku Yō Ō Jō Ō Ta Ra Ni Sa I Jū Ku Yō Jō U Ta Ni Sa

[61:19]

Ki Jū Ku Yō Ō Jō U Ta Ra Ni Sa Ki Jū Kyō Ra I Jō U U Jī U San Po Ki Jō Wa Kyō

[62:23]

I Kyō U Kyō U U Kyō [...] Shuk-Sang-Po Kyo-Ra-I-Sa-I-Sang-Po

[63:38]

Kyo-Ra-I-Sa-I-Sang-Po Kyo-Ra-I-Sa-I-Sang-Po Kyo-Ra-I-Sa-I-Sang-Po

[64:56]

Kyo-Ra-I-Sa-I-Sang-Po Kyo-Ra-I-Sa-I-Sang-Po Kyo-Ra-I-Sa-I-Sang-Po

[66:16]

Kyo-Ra-I-Sa-I-Sang-Po Kyo-Ra-I-Sa-I-Sang-Po Ko Ga-Ko Ga-Ko Mu Ga-Ko Ki

[67:43]

Ki [...] Ka-Ko Ma-Ko Ko Mu Ki Ki Ki

[68:59]

Ka-Ko Mu Ka-Ko Ki Ki Sha Sha Sha Ka-Wa Ha-Wa Ha-Wa Ha-Wa

[70:03]

Ha Ha Mu Ka-Ko Ka-Wa Sha Ka-Wa Wa [...] Ka-Wa Sha Wa

[71:08]

Ka-Wa Ka-Wa Wa Ka-Wa [...] Ah

[72:08]

Ah Ni Ra This is the sound of the Komagi. And, Sen. The sign is Sen, so we do it together. From the beginning... From the beginning... Ah, from Gakon. Gakon, Gakon... Ga Ko Mo Mo Mo Nnnnn Nnnnnnn Nnnnnnn Nnnnnnn Nnnnn Ki Ki After that one, we'll go through again, all together, the same.

[73:59]

Namo'valokiteshvaraya Namo'valokiteshvaraya Shakyamuni Buddha's Shakyamuni Shastra

[77:40]

Shakyamuni Buddha's Shastra [...]

[78:43]

Shakyamuni Buddha's Shastra Shakyamuni Buddha's Shastra So the difference between... We have to feel it. Chok Chok Lha Chi

[80:10]

Chok Chok Lha Chi [...]

[81:32]

Chok Chok Lha Chi [...]

[82:42]

Chok Chok Lha Chi [...]

[83:55]

Chok Chok Lha Chi [...]

[84:57]

Chok Chok Lha Chi [...]

[86:12]

Thank you very much.

[86:12]

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